by
Sara Lai

The Palette
“the sky in this one is rose madder, raw sienna, and a lot of patience.”
“Limestone karst at sunset, painted from a sketchbook in northern Vietnam.”
Ha Long Bay was painted from quick sketches I made on a junk boat in northern Vietnam. The sun was setting fast — I had maybe twenty minutes before the karst dropped into silhouette. I tried to hold the memory of how the sky kept changing colour, layering thin washes back at the studio until the gradient felt right. The single warm reflection on the water is the part of the painting I love most.
Medium
Watercolor
Substrate
300gsm Arches cold-press cotton paper
Dimensions
9" × 12"
Year
2024
Also in the studio

“cobalt against cadmium yellow.”
12" × 16" · on gesso board

“thirty-two layers of dry brush for that crest, give or take.”
10" × 10" · on 300gsm Arches hot-press cotton paper

“almost nothing in it. just three colors and some restraint.”
9" × 12" · on 300gsm Arches cold-press cotton paper