by
Sara Lai

The Palette
“thirty-two layers of dry brush for that crest, give or take.”
“A close study of a Gambel's Quail's iridescent crest.”
I drew this one from a photograph I took on a hike in southern Arizona. Quails are oddly dignified birds — they always look like they're considering something profound — and I wanted the painting to feel like a portrait. The background was painted wet-into-wet in one sitting, then the bird was layered over many evenings of small, dry-brush passes for the feathers.
Medium
Watercolor
Substrate
300gsm Arches hot-press cotton paper
Dimensions
10" × 10"
Year
2024
Also in the studio

“the sky in this one is rose madder, raw sienna, and a lot of patience.”
9" × 12" · on 300gsm Arches cold-press cotton paper

“sap green underneath everything, even the red.”
10" × 10" · on primed wood panel

“almost nothing in it. just three colors and some restraint.”
9" × 12" · on 300gsm Arches cold-press cotton paper